…The golden echo works instead to
make the question redundant by proposing willing surrender. Its attitude is that we do not own what
appears to be most ours, have no claim on it, may sleep at nights, as it were,
with unlocked doors because what is at risk does not belong to us anyway…This
is not resignation, it is a sort of courage in the flux, …It is the
providential lesson of the lilies of the field and the fall of the sparrow and
the regenerative principle that even ‘the mere mould’ will waken life; but it
is a lesson which takes us ‘yonder’ out of the ‘tall sun’ which ‘shines too
long and withers the harvest’ and the air which ‘carries the poison of
disease’. It takes us also out of the
world visibly charged with the grandeur of God---and that is ominous.
…in The Wreck…as a disaster …strengths and weaknesses…the idea that God’s
loving purpose is so constantly present as to be found even in the activity of
destruction---is settled…as something for our unearned acceptance. Instead of resolving the difficulty involved
in seeing love in the hostile processes of the storm, Hopkins tries to win our
support at this crux {!} with one remarkable coup…the supreme significance of
the wreck is not as a calamity but as a revelation.
…further developed in the superb hourglass image of the fourth stanza,
with particular focus on the poet’s own physical life:
I am soft
sift
In an
hourglass---at the wall
Fast, but mined
with a motion, a drift,
And it crowds
and it combs to the fall;
I steady as a
water in a well, to a poise, to a pane;
But roped with,
always, all the way down from the tall
Fells or flanks of the voel, a vein
Of the
gospel proffer, a pressure, a principle, Christ’s gift.
…He is secured by Christ as the ‘ropes’ of streams secure the valley
waters….(in one note Hopkins speaks of the redemptive effect of the incarnation
in these terms: ‘A 60-fathom coil of cord running over the cliff’s edge round
by round…40 fathom already gone and the rest will follow, when a man sets his
foot on it and saves both what is hanging and what has not yet stirred to
run. Or seven tied by the rope on the
Alps; four go headlong, then the fifth, as strong as Samson, checks them and
the two behind do not even feel the strain’).6
Did ‘the million of rounds of thy mercy not reeve even them in?’ Hopkins fancies that the cry of the tall nun
may have alerted the other passengers to the reality of their situation (stanza
31), for their time of suffering is, in fact, the moment of their inevitable
confrontation with God….he builds on that fancy…~Inspirations Unbidden, Chapter 4, ‘The Cavernous Dark’
"1 go among the fields and
catch a glimpse of a stoat or a
fieldmouse peeping out of the withered grass--the creature hath a purpose and
its eyes are bright with it."
~Keats, in an 1819 letter
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